Homicidal Gods & Other Bedtime Stories


Heading into Banteay Srei, my favourite of Angkor's temples.  Built 1050 years ago by a courtier rather than a king, it is a contemporary of the Mayan Chichen Itza and predates the more famous Angkor Wat by 200 years.

I should say from the outset that I find it very hard to like the much lauded Hindu deities. 

Admittedly, some of their exploits are quite impressive.

Brahma creates the world to Vishnu’s plan, while Vishnu reclines on a snake at the bottom of the sea, with a lotus growing up through his belly button. 


Recreating the world: Vishnu with lotus, snake and belly button.  If only.

Brahma’s multiple heads sprout out of the lotus flower; there were five until Shiva chopped one off and had to cart it round as penance.

Aaaah yes. We come to the nub.

Good job on creating the world, guys, but do we have to go on these continual murderous rampages? Might I suggest an anger management course?

Perhaps not.  Because without the ancient Ramayama, Mahabharata and Purana stories, the glorious 1200-700 year old temples around Angkor Wat in Northern Cambodia would not contain the stone carvings that make them so magnificent and made me laugh out loud.

Here are a few of my faves.

Brahma's four remaining heads. Despite being the Creator of the Universe, Brahma doesn't get much of a look in at Angkor's temples, which does seem a bit unfair.  Credit stays with Vishnu for universe planning and giving birth to Brahma via the lotus and his belly button. Angkor Thom's North Gate. Late 12th Century.


Death by Big Toe  


Shiva, the God of Destruction, is having a quiet moment.

This would be an excellent thing as the man is a dancer, but of the End-Of-The-World rather than the With-The-Stars variety.

With each dance, the entire reconstruction of the world via Vishnu's belly button must begin yet again.

So yes, Vishnu is undoubtedly pissed off with cause, but he is not the only one.  Ravana is out for blood.

Ravana is a 'demon' but commands an army, rules Sri Lanka, is multi-faced and thinks he's God. A politician in other words.

Ravana arrives to shake things up - in a literal sense, scaring the bejesus out of all and sundry - while Shiva sits with his lover in his lap, languidly swatting flies...

Until he crushes Ravana with his big toe.

Now there is a response worthy of a highly paid rugby player and an orchestrated media campaign.

That's Ravana at the bottom, Shiva at the top, Parvarti in his lap and everyone else looking terrified. The actual toe crushing comes later in the story. Banteay Srei. 967 AD



Photo Credit: alickmighal

Death by Incineration

This is an earlier part of the story which explains how Parvati came to be in Shiva's lap, pre-toe crushing.

Shiva was meditating when accidentally hit by the God of Love, Kama's arrow. 

Failing to remain in a state of calm, Shiva incinerates Kama in payback - love clearly not conquering all on this occasion. 

Heading back to his meditation post-tanty, he falls in love.

To be honest, I'm not quite getting Shiva's massive popularity.


The God of Love in action (on the right) prior to incineration.  Shiva throwing a tantrum while Parvati (soon to be the object of desire) cowers on the left.  Banteay Srei. 967 AD


Photo Credit: Richard Beck



Self-Cannibalism & Assorted Water Creatures


Kirtimukha

In a fit of pique on another occasion, Shiva created the lion-like monster, Kirtimukha, then made him eat his own body to avoid starvation. Nice one Shiva.

Kirtimukha's headless body with its sharpened teeth and tiny hands sits below Indri on his three headed elephant, welcoming all who enter Banteay Srei with the reminder that the ego or self must be consumed to attain enlightenment.  


On either side of Kirtimukha and Indra, a two-headed Makara extends down over the gateway. Water creatures that incorporate pieces of alligators, elephants, lions or fish, these ones have serpents springing from their mouths to provide protection.  


Suffering from ophidiophobia as I do, the Angkorian love of snakes is hard to take, but they feature in the creation of alcohol, so I will live and let live.  More on this subject later.


Death by Clubbing

Kamsa steals throne.

Krishna knocks Kamsa over, grabs him by the hair and slugs him with Krishna's signature club.  

Palace officials watch happily.  

Wait for the action-packed sequel.


Krishna clubbing Kamsa the King, while palace people party. Banteay Strei, 967 AD

Photo Credit: angkorguide.net

Gods of Fire and Rain

We move now from simple regicide to a more complex story of God Gangland War.  This will be our last story of destruction, so enjoy:

Agni, God of Fire, decides to do away with evil serpent, Taksaka, via massive environmental destruction: burning down the forest in which the serpent lives. 

The serpent calls on his mate, God of Rain, Indra, to put out the fire but... 

God of Fire retaliates, calling on more deities who hold back the rain by shooting up a massive shield of arrows - and incredible piece of carving below.

The serpent is cast out of the forest, which is destroyed. Sigh.


God of Rain, Indra on his three-headed elephant at the top above his rain in flowing torrents.  The arrows underneath block the rain and amongst them is the serpent fleeing to the forest.  At bottom left is Krishna warrior form with his older brother, Balarama in a matching chariot at bottom right. Banteay Strei, 967 AD



One of many thousand Apsara adorning Bayon Temple. About 1200AD



The Creation of Cambodia and Alcohol 

So we move away from the mythical death and destruction of the Hindu deities and refocus on what is possible my all time favourite story which not only explains the creation of the divine Apsara or Angkorian Guardian Angels, but the creation of alcohol itself.  

It also involves gods working collaboratively for a change.

Downside?  This story involves a hell of a lot of snakes...


The entrance to Angkor Thom.  Each temple journey begins by crossing a metaphorical Cosmic Sea, complete with snakes and (sometimes) water.  

To be continued...

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